AMAZING COURSE, I´VE LEARNED A LOT OF THINGS AND TECHNICS. I REALLY LOVE IT. THANKS ERIK FOR YOUR KNOWLEDGE!
VOLLSTÄNDIGE 4K-AUFNAHMEN
Ein umfassendes System zur Musikproduktion, das sich ganz nach dem eigenen Tempo richten lässt – für Ableton-Produzenten, die mit mehr Klarheit und Selbstvertrauen von der ersten Idee zum fertigen, veröffentlichungsreifen Track gelangen möchten. In 30 Stunden durchsuchbarer 4K-Studio-Sessions vermitteln Erik Heirman und Daniel Söderberg von Earthbound Mastering praktische Kenntnisse zu Komposition, Arbeitsabläufen, Sounddesign, Mixing, Mastering, Remixing und kreativer Entscheidungsfindung – unterstützt durch mehrsprachige Transkripte in 7 Sprachen und die mitgelieferte Produktionsumgebung „DNA Suite“.
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Über 16.000 Erzeuger
FLOW Collective: Masters vereint zwei Fachperspektiven, die selten in einem System zu finden sind. Erik Heirman bringt mehr als 25 Jahre Erfahrung in den Bereichen Produktion, Workflow und Tontechnik ein, während Daniel Söderberg (Earthbound Mastering) auf über 30 Jahre Fachwissen im Bereich Mixing und Mastering zurückgreifen kann. Zusammen erhalten Sie ein komplettes System für Produktion, Tontechnik, Mixing und Mastering, ohne Jahre damit verbringen zu müssen, es selbst zusammenzustellen.
Die alte Art
Der Flow-Weg
FLOW Collective Masters enthält „The DNA Suite“ ohne zusätzliche Kosten, sodass Ihnen die Flaggschiff-Produktionsumgebung von Rapid Flow direkt im Kurs zur Verfügung steht. (Nur Ableton)
Es ist schwierig, die Tracks mit den Referenzen abzustimmen. „The Flow Collective: Masters“ wurde entwickelt, um diese Herausforderung zu meistern.
Alles, wofür Produzenten normalerweise Jahre mit Recherchen, Studium und Aneignung benötigen, ist in einem einzigen umfassenden System zusammengefasst. Sie erhalten direkten Zugang zu 50 Jahren gesammeltem Wissen aus den Bereichen Produktion, Technik und Kreativität – zusammengefasst in einem klaren Leitfaden, auf den Sie für den Rest Ihrer Karriere immer wieder zurückgreifen können.
Neben den hochwertigen 4K-Aufzeichnungen bietet „The FLOW Collective: Masters“ auch ein vollständig durchsuchbares Archiv aller Sitzungen, sodass Sie bestimmte Themen sofort finden, nach Schlüsselfragen suchen und direkt zu dem gewünschten Moment springen können – so werden stundenlange Aufzeichnungen zu einem Lernsystem, das schnell und einfach zu bedienen ist. Außerdem sind Transkripte in 7 Sprachen enthalten.
FLOW Collective bietet Ihnen direkten Zugang zu den Arbeitsabläufen, Entscheidungsprozessen und dem technischen Know-how, die hinter professioneller Musik stehen – ohne dass Sie Jahre damit verbringen müssen, sich das alles selbst beizubringen.
Tauchen Sie ein in echte Mixing- und Mastering-Sessions mit professionellen Toningenieuren und lernen Sie die Prinzipien kennen, die hinter einem klaren, veröffentlichungsreifen Sound stehen. Anhand der Entscheidungslogik von Earthbound Mastering verstehen Sie, was Profis hören, was sie korrigieren und warum es funktioniert.
Erfahren Sie, wie Sie Ihre eigene klangliche Identität entwickeln, verstehen Sie, was Tracks besonders macht, und erhalten Sie einen direkten Einblick in professionelle Mastering-Arbeitsabläufe.
Gehen Sie über ein gewöhnliches Plugin hinaus und lernen Sie, wie Sie Zensphere als integralen Bestandteil Ihres Produktionsworkflows einsetzen können – von der Klangauswahl und -gestaltung bis hin zum Arrangement und kreativen Arbeiten innerhalb des FLOW-Systems.
Das Erstellen von Remixen ist eine der besten Lernmethoden, um von deinen Lieblingskünstlern zu lernen und zu verstehen, wie sie die Tracks produziert haben, die du so liebst. Wir haben eine ganze Sitzung dem effizienten Erstellen von Remixen gewidmet, wobei wir fortgeschrittene Techniken wie Stem-Separation, Ableton-Import, Elementauswahl und -bearbeitung eingesetzt haben.
Overall rating: 5.0 / 5 from 12 reviews.
AMAZING COURSE, I´VE LEARNED A LOT OF THINGS AND TECHNICS. I REALLY LOVE IT. THANKS ERIK FOR YOUR KNOWLEDGE!
Producing music using the mixing and mastering architecture in the Rapid Flow Ableton templates has resulted in 20+ years of learning and practice finally clicking into place. In addition to writing new material - it turns out that ideas I was coming up with a long long time ago already had what it took from a creative and musical point of view - they just weren’t balanced correctly or powerful enough. I could always hear and feel they were lacking in some way but couldn’t articulate why or understand how to bridge the gap - so I continued to add more and more channels and complexity until eventually the simplicity and key messages of a track would become buried under a cluttered, muddy wall of sound and I would give up working on it. Revisiting these projects one by one, passing them through the Rapid Flow templates and stripping them back to the original idea is exorcising years of artist angst and helping me realise assets I’ve been sat on for a very long time. Thanks Erik and Daniel - your kindness and willingness to share this information and workflow has been instrumental in helping me arrive at a point with my music that I’ve dreamed of attaining for many many years.
The Flow Collective course covers a wide range of fundamental concepts related to mixing and mastering while providing a clear structure for how to progress from an initial idea to a finished track. The DNA Suite serves as the foundation template and includes so-called channel strips, where individual components such as kick, bass, harmony, etc. can be refined and adjusted until they fit perfectly into the overall mix of the project. The two instructors, Erik and Daniel, have an incredible depth of knowledge and present the material at a very enjoyable and easy-to-follow pace. Whether you are a beginner or an advanced electronic music producer, there is something valuable for everyone in this course. Although the course was time-intensive, I learned more during these three months than I did in the previous three years. I can highly recommend this course to anyone who wants to dive deeper into the world of electronic music production!
I was actually on the fence whether the Flow Collective was for me or too advanced. It was immediately obvious from the start that it was exactly for me, drawing on years of experience and genuine musical passion. Erik and Daniel’s approach finds a balance that everyone from minimal music production time through to those releasing their work are going to learn a huge amount, and will find genuinely inspiring new ways to take their music forward faster, and with more fun and creativity. This amount of knowledge in one place is priceless, and joining a growing community of similarly inquisitive producers has opened my eyes and ears to possibilities.
I’ve done countless masterclasses, courses, and tutorials over the years, but nothing has clicked with me like this. From the moment I discovered the Rapidflow concept, I was hooked. The setup is incredibly addictive — with just a few tracks, you can instantly create a vibe and feel inspired. What truly makes The Flow Collective and DNA Suite special is Erik and his team. The amount of knowledge, support, and genuine passion they share is next level. I finally solved issues in my own setup that I’d struggled with for time, and the whole experience felt personal, supportive, and inspiring throughout. We were all genuinely sad when it ended, which says everything about the community they created. Massive credit to the whole team. Viva la Flow Collective 😀
the flow collective provides unparalleled value for money. Without doubt the best money I've ever spent music production. It improved my music way more than a new piece of gear/ synth or vsts ever could. The after sales service is second to none as Erik and his team are ready on discord to answer any questions or queries you might have
I was looking for something simple and straight to the point that would help me keep learning about music production, mixing and mastering without having to go through a huge course. That is probably what I like most about FLOW Collective: Masters. The content is very well organized, easy to follow, and does not feel overloaded. I have been able to go through the classes without feeling lost or overwhelmed. I also find the course very inspiring. After watching the lessons, I actually feel like opening Ableton and getting to work, creating beats, experimenting with different rhythms, and practicing with the DNA template. I really do not have much to criticize. It does what it is supposed to do, and it does it very well. For me, it has been 100% worth the money.
Store owner replied: thank you Ricardo that means a lot to read!
Awesome insight into workflows from some of the top talents in the genre. Really enjoyable material!
I previously joined the first Rapid Flow production retreat, and I really connected with their whole approach to making music: focusing not only on the technical side, but also on creativity, intuition and getting into a real flow state while producing. I sometimes felt a bit overwhelmed by all the technical discussions during this course (I’m definitely more focused on the musical and creative side myself), but what I appreciated is that it never lost that creative and artistic aspect of production. Eric was also incredibly involved throughout the whole process. You could really feel that he cared about making the course valuable for everyone individually, and he took a lot of time to give thoughtful feedback and answer questions. The course helped me reconnect with my studio and creative flow again, and gave me a lot of inspiration to keep developing my sound further. Thank you! 🤍
Session view is very thing that makes Ableton great and this is the best use of session view I’ve ever come across.
Store owner replied: Thank you Kevon, that s great to hear! See you on the Thursday session
We are on week 2 of the program and my inspiration is through the roof. After taking a few years ago from music production, it's been great to dive very deeply back in and to learn from Erik hands-on how to use the template, and his workflow. I can't wait to see how much progress is made after the first 3 month period. Thank you Erik for all the effort you put into this!
Store owner replied: That's great to hear thank you Matt!
A wealth of knowledge. I look forward to learning and implementing things in your templates and very excited to participate in your collective.
Store owner replied: That's great to hear, I look forward to seeing you there.
Overall rating: 4.8 / 5 from 701 reviews.
Love it! Our new go to sequencer. Great for throwing a bit of ‘feel’ in to your loops and patterns. Highly recommend 👍🏻
Omni Grid is very cool, early days of using it but so far I love it, the small amounts of randomization and shuffle that can be applied to anything is something I have been looking far for ages! will post a video when I've finished something. Very exciting!
Amazing
Love it
Very Nice sound
Right! So I’ve had more time to try out omniGRID! I didn’t wait until the end of the trial period to buy it, as this time I was working whilst travelling: I simply used LIVE for a few tracks and LAUNCHPAD X (Novation)! I’ve had some great results… And I’m going to keep experimenting with everything this little gem has to offer! (...)
Finally the good stuff has arrived! Like having an Eurorack sequencer in your DAW thank you so much🔥🔥👌🏻
Omnigrid has all the features that made Minigrid an instant hit. The ability to quickly and easily tweak the midi output so it grooves perfectly for all parts. Omnigrid is the first sequencer I have come accross that perfectly adds euclidean features and normal step sequencing in one interface. Up to 64 steps for any of the 16 tracks shows that this sequencer is intended to be versatile. This sequencer really shines at making your sounds hit the right spot. At present there is no way to record midi or to drop a midi file into Omnigrid to take advantage of the various track controls that transform the midi output. I think something along those lines would be a great addition for a future update.
Such an amazing plugin
MinGrid is easy to use, and you can quickly create grooves and rhythms. Just be careful if you're using a laptop—make sure to place the VST on the main screen, not the secondary one. It's just for fun—kudos to the Rapid Flow team!!!
I’m so glad I bought this plugin. 😄
Swings like nothing else 😍
AMAZING COURSE, I´VE LEARNED A LOT OF THINGS AND TECHNICS. I REALLY LOVE IT. THANKS ERIK FOR YOUR KNOWLEDGE!
bonn materiel super de sortir de bon vst minigrid
I love all the different movements and colors. I add sphere v3 to each one of my projects now as a visualizer. What I think would be a really cool update would be different shaped to mess with pyramids, cubes, etc. great work so far. I really dig it.
And I also have to say this now that I’ve had the chance to experience Zensphere V2 myself: **this synthesizer is simply divine.** I am genuinely amazed by its sound. There is such a beautiful warmth, depth and character to it that it truly feels like I am listening to real hardware rather than just another software instrument. That warm, analog-like hardware character is exactly what I had been searching for for so many years. The sound feels alive, rich and incredibly musical. Every time I play it, I just want to keep playing and creating. So once again, thank you — not only for your incredible generosity, but also for creating such a beautiful instrument. Zensphere V2 is truly something special. ❤️🙏
Je passe de trés bons moments avec... sà me fait gagner énormément de temps em studio. merci ;o)
Everything Bundle + FREE Zensphere V2
Store owner replied: Hi Bruno, thank you for taking the time to make a personal message, we appreciate it!
Amazing plugin!!!
Super!
Super!
a great product : You have put the finger in a rabbit hole as the possibilities are endless like as proven by Touchdesigner. This fills a gap of : . VST video plugins for sync to audio . easier programing than other plugins. Improvement points : . more "canvasses" . sharper reactive engine.
You know you've found the right synth for you, when its patches instantly inspire you to create. Well done, Zensphere rocks.
Putting Zensphere 2 to the test.The creator asked for a honest look, so I built a video that gets straight to the point: letting the sound do the talking. In Part 1, I dive into an Ableton session, loading up an Arp. Synths and a Pad using Zensphere 2. You can immediately hear how those multi-sampled analog layers and new processing options translate into a live arrangement. In Part 2, I switch over to a direct A/B comparison against the official release version. No over-explaining needed, just listen closely to how the warmth, texture, and mix-ready nature hold up. Check out the video to hear the difference for yourself.
I am always looking for the sounds that make a Track different and memorable, and putting it in genre's they have not been used in before to see what I can come up with... This Vsti is unique and user friendly ...A must for any in the box producer that can't afford the hardware tools.
I love this product! It was super easy to setup and the midi clock between my daw and mpc key 37 is super tight!!
I already had the first version of Zensphere, and frankly it was already excellent for what I intend to do in my music, but this second version is out of this world! Just the fact that we can raise the modulator wheel is a huge plus, but when we start exploring the filters and reverb, we quickly realize it's much more than just a VST. And together with the DNA Suite, everything becomes easier, more intuitive, and sounds amazing.
I just love it! Omniclock is so easy to use everything is in sync and the different algorithms breath life into any machine that’s to tight. In this case I’m using it on my LXR-02 and it make its sound even better than it does by it self anyway. Great plugin!
I wasn't very hopeful with Omniclock. However, I'd been having timing issues with my Virus TI2, so I thought I'd try it out. Well, it not only improved the TI2's timing but it also made my TD-3 sync it's internal clock instantly with my DAW, which it did not do before. Thank you again.
Anyone who syncs hardware synthesizers with a DAW knows the problem: MIDI jitter, latency, and imprecise synchronization that simply lacks groove. It usually just wastes time and frays your nerves. Omniclock offers a radical solution, setting new standards for timing precision. The Omniclock plugin converts imprecise MIDI timecode into an absolutely stable, sample-accurate audio signal that serves as a clock source. The result is rock-solid synchronization that remains steady even in complex setups. Once you’ve heard the difference between a standard MIDI connection and the razor-sharp timing of Omniclock, you’ll never want to go back. Its clear layout lets you achieve perfect results in seconds. Plus, Omniclock offers immense creative potential thanks to a host of integrated patterns from legendary machines—all accessible with a single click. As far as I know, there is nothing else like it on the market, and for that reason alone, this pioneering work deserves five stars. Highly recommended!
Zensphere V2 is an incredibly creative tool and an absolute must-have for any producer who values authentic analog textures. The absolute core feature of the Zensphere V2 is its incomparable sound character. It brings the punch and premium warmth of a dream analog studio straight to your computer, all within a fast, modern workflow. The sounds are perfectly "mix-ready" right out of the box—they cut through the arrangement immediately, without the need for hours of tweaking with EQ and compression. The visual appearance and interface design (available in either light or dark mode) also deserve high praise. Zensphere V2 is pleasantly uncluttered and by no means overloaded. This masterpiece comes highly recommended and earns a well-deserved 5 out of 5 stars!
What a great update. Loving the visuals, soooo good, tried on a ceiling projector as limited for space in here and decided to make a pepper ghost, why not😜 version 1 , gonna need a bigger dome. Go big or go home. It’s just a joy to have and watch whilst making music and getting the vibe. Would be a great addition if you could fit to screen and maybe lose the white bar at the top 👍
I followed my intuition and put it on black buy purchasing the DNA suite and an AKAI APC40mk2. At first I thought what have I done, it was overwhelming, I have a lot of Ableton experience but in arrangement mode. After a few nights the penny started to drop and the shear power of this system begun to make sense. By Friday (purchased Monday) I was able to live jam and arrangement and record and edit the timing and automation plus add parts after the bulk was done. All I can say is wow, thank you for sharing your knowledge and being generous too
Store owner replied: Hey Paul thank you for sharing that's awesome to hear! Great you're getting your bearings in session view. It s sooooo helpful to be able to use both. Enjoy and if you're ever stuck we are happy to help.
No delays, no issues with sync, everything works like a charm!
We needed a rock-solid, cost-effective solution for syncing all the different hardware in the live setup (which is usually a big hassle) for our Saturday Synth Club jam sessions, and Omni Clock works very well, and having all those extra swing flavours is the icing on the cake.
Nice vibe when jamming in Ableton and can have flubber dance along. Would be improved with a 2d option and being able to set an LFO style modulator rather than purely sound reactive.
Store owner replied: Thank you for sharing, I know the feeling :) You can actually set LFO s from your DAW to any parameter, they are all available for automation or MIDI mapping. Enjoy!
Incredibly, it has become a source of inspiration. I've always liked visualizing the music I make in my mind. Now I can see it and even find inspiration in the shapes it creates when reacting to the music. The Lagoon preset is by far my favorite. I wish it had an option for auto-resizing with a double-click on the bar, but it's not a deal-breaker.
I already had the Infinity Bundle and I was having a lot of fun experimenting with new sounds, however something told me it was time for something more and the path would inevitably lead to the DNA Suite. It turned out to be far beyond what I could have expected. It's not at all beginner-friendly, but it has excellent support. From Erik's videos explaining how to map the MIDI controllers and what each one does, to José's patience (the brains behind Omniclock). Now I just focus on letting my imagination run wild and then having fun experimenting a thousand ways to play all the elements until they become a whole. I find myself spending hours playing with little more than a kick, bass and lead because the rest flows naturally. This is a method I wasn't at all familiar with, but it quickly became part of the process.
great evolution for Sphere
It would be very useful if Sphere V3 could be triggered directly from Ableton’s transport, so recording always starts at exactly the same position. This would make it much easier to create multiple visual versions and align them later in any video editing software.
It solves some major sync problems I was having and saved me a bunch of money on hardware solutions. Tried various things but by far this is the best. Great product !!!
